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If you re using an image editor that doesn t have red eye removal built in, you ll have to take the red out yourself It s easy, actually, and it doesn t even take a steady hand Using Paint Shop Pro as our workhorse, here s what you should do: 1 Load the offending image and zoom way in so the eyes fill most of the screen 2 Click the Magic Wand tool and click in the red part of the eye Hold down the SHIFT key and keep clicking until you ve selected all the red in one eye

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If the wand grabs too much of the image like parts of the face outside the red then the tolerance (found in the Tool Options dialog box) is set too high You may need to adjust it to 15 or less 3 With the red area selected, select the Paint Brush or Flood Fill tool and choose a dark color, like black Click in the selection to paint over the red

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4 Choose Selections | Select None from the menu and evaluate your work If you can still see red around the fringes, you can take the Paint Brush and change the remaining red on a pixel-by-pixel basis To do that, you might want to reduce the brush size to just a few pixels (This setting is found in the Tool Options dialog box) Be sure to leave the white spot in the middle of the eye, or you ll have created a portrait of a space alien Notice that you don t have to do a perfect job in order to create a convincing eye the detail is so small in most pictures that simply eliminating the red is enough to dramatically improve the picture

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Have you ever taken a great landscape shot only to realize far too late to reshoot the picture that there s a telephone pole in the middle of what should be serenity Or a tourist in a loud shirt right behind your family shot that you wanted to frame Don t worry this section will show you how to eliminate those kinds of distractions with a little digital airbrushing

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The tool at the heart of this magical process is the Clone tool This handy feature, found in most image editors, allows you to copy pixels from one region of your image to another That means you can airbrush away distracting aspects of a picture like power lines, hotspots, and so on by duplicating a similar or nearby part of the image (see the before and after in the following illustration) Typically, smaller and more isolated distractions are easier to airbrush away than larger ones (or objects that cut through the main part of your picture); but if you re patient, you can get great results from a surprising number of photos that you thought you d have to throw away